Dusk
Magenta and amber, the light just after the sun goes down. Best for cities, beaches and moody endings.
Three ways to use it.
In the editor, pick clips on the timeline, open Looks and choose Dusk. Set its strength, and it's burned into the export.
In Studio, open a photo and choose Dusk under Looks. Sliders for light, colour and grain sit beside it.
In Create, pick Dusk under + and the model makes the shot in it from the start. Or ask the Agent for it.
More looks.
All free. Try a few on one shot.
Questions.
Magenta and amber, the light just after the sun goes down.
Cities, beaches and moody endings. Try it at a lower strength first, then build it up.
Yes. Every look is free on every plan, in the editor, in Studio and in Create.
Yes. Pick any clips on the timeline and choose Dusk in Looks. It plays in the preview as you cut and is burned into the export.
Yes. In the editor and Studio a look is never baked into your file, so you can change it, turn it down or take it off any time.