Tri-X 400
Punchy black and white with deep blacks and gritty grain, the photojournalist's film. Best for street, drama and strong faces.
Three ways to use it.
In the editor, pick clips on the timeline, open Looks and choose Tri-X 400. Set its strength, and it's burned into the export.
In Studio, open a photo and choose Tri-X 400 under Looks. Sliders for light, colour and grain sit beside it.
In Create, pick Tri-X 400 under + and the model makes the shot in it from the start. Or ask the Agent for it.
More looks.
All free. Try a few on one shot.
Questions.
Punchy black and white with deep blacks and gritty grain, the photojournalist's film.
Street, drama and strong faces. Try it at a lower strength first, then build it up.
Yes. Every look is free on every plan, in the editor, in Studio and in Create.
Yes. Pick any clips on the timeline and choose Tri-X 400 in Looks. It plays in the preview as you cut and is burned into the export.
Yes. In the editor and Studio a look is never baked into your file, so you can change it, turn it down or take it off any time.